Michael Trei

Michael Trei  |  Jul 27, 2023  |  2 comments
At High End Munich, Michael Trei chats with Thorens CEO Gunter Kürten (right) about the Thorens Reference turntable's active suspension. (Photo: Jeff Joseph.)

It's hard to convey the scope of the annual High End Munich audio show to someone who has never attended. Spread out over three floors of a large facility called the Munich Order Center (MOC), the show is notable for how different it is from audio shows in the US. The ground floor is an area about the size of three American football fields, where brands set up professional trade show booths to display their wares. This is a long way from the draped folding tables and back curtain on a rail that defines a "show booth" at most US shows. What you'll find on this level is mostly static displays, although scattered among the displays you'll find prefabricated sound rooms, acoustically designed spaces designed to allow live demonstrations on the ground floor.

My main focus at the show was to try to root out interesting new record-playing gear. I was not disappointed. Here are a few select highlights from what I saw at the show.

Michael Trei  |  Jul 20, 2023  |  7 comments
Creating a new flagship model is never an easy task for an audio company. A good designer will have already incorporated all his or her best ideas into the prior flagship. For a follow-up, you typically get a scaled-up version of what came before, incorporating the kind of improvements a bigger budget will allow.

SME's history is well-documented. The company started out, in 1946, as an engineering company for hire. In 1959, after a few years supplying parts for the scale modeling and various other high-tech industries, company founder Alastair Robertson-Aikman wanted a better tonearm for his personal use. He leveraged the capabilities of his small engineering company to create what eventually became the legendary 3009 and 3012 tonearms. The reputation of the new arms spread quickly, and from the mid-1960s through the 1970s, SME dominated the high-end tonearm market. SME's corporate slogan was The Best Pick-Up Arm in the World, and few people at the time would have challenged that claim.

Michael Trei  |  Jul 05, 2023  |  2 comments
In 1928, Swiss engineer and inventor Jean-Léon Reutter created a clock that could run for years without human interaction or any type of external power source. The Atmos Clock required no AC power, batteries, solar panels, or hand-winding. It was able to wind itself by leveraging subtle changes in atmospheric pressure and temperature.

The design was so energy efficient that a single degree of temperature change provided enough power for two days of operation; it would take an incredible 60 million Atmos clocks to equal the power demands of a single 15W light bulb. 95 years later, the Atmos Clock is still being manufactured in Switzerland by Jaeger-LeCoultre, but like most high-precision, Swiss-made instruments, it isn't cheap. Prices start around $7500.

Michael Trei  |  May 15, 2023  |  4 comments
Over the last 40 years, I have set up or serviced literally thousands of turntables, and during that time I have seen a lot of increasingly sophisticated tools become available to help in getting your turntable optimized. I've had my eye on the Shaknspin speed analyzer since it was launched a couple of years ago, and now there's a new Shaknspin2, which promises more accurate results.
Michael Trei  |  May 05, 2023  |  20 comments
They say a jack of all trades is the master of none. While this expression is typically used to describe people, it also works for machines that play 5" optical discs.

The Compact Disc was launched in 1982, but the four decades since have seen an alphabet soup of similar-looking shiny discs including major formats like DVD, SACD, DVD-A, and Blu-ray Audio. As each new format arrived, hardware manufacturers scrambled to keep up, developing machines that could play just about any disc you could throw at them (or, rather, insert in them). The result was a bunch of "jack of all trades" disc spinners...

But what if we gave up the notion of universal compatibility and concentrated on building a player dedicated to squeezing the best possible results from the very first, and by far the most common, shiny 5" disc, the good old-fashioned "Red Book" Compact Disc? Would we get better performance?

Michael Trei  |  Apr 16, 2023  |  0 comments
Washington DC area distributor Notable Audio showcased products from Joseph Audio, Doshi Audio, J Sikora, Berkeley Audio Design, and Cardas Audio at AXPONA. Notable's Jeff Fox had put together an impressive system, with a mix of brands we have seen used together at many prior shows to great effect, only this time he used the best of everything to create a system that really sung.
Michael Trei  |  Apr 15, 2023  |  0 comments
It’s always fun to see a new company making their first presentation to the public, and AXPONA 2023 marks the debut of Toronto, Canada-based Audio Craftsmen. Headed up by Thom Pahmer (above), the company showed four models, ranging in price from the Laval stand mount at $2699/pair, up to the floor standing flagship Halifax at $10,999/pair.
Michael Trei  |  Apr 15, 2023  |  3 comments
Acoustic Sounds' Chad Kassem has every reason to look as happy as he does here, because this really has become a new golden age for vinyl, with so many high-quality reissues of classic albums on vinyl that it's hard to know where to start.
Michael Trei  |  Apr 15, 2023  |  9 comments
I have long found it kind of disappointing that just a handful of companies still manufacture turntables in the United States, but SOTA is a true survivor, having delivered their first turntables way back in 1979. At AXPONA, SOTA co-owner Donna Bodinet was displaying their new Quasar model, which moves the suspension-less Urban product series a few steps upmarket.
Michael Trei  |  Feb 24, 2023  |  1 comments
Luxman occupies an unusual place in the hi-fi world. While many of the brands chasing ultimate performance will battle it out in the bleeding-edge design stakes, Luxman makes what I like to call luxury equipment. Everything they produce is beautiful, not just to the ear, but also to the eye and hand. Their design aesthetic keeps one foot firmly planted in the style of classic audio equipment from decades past—for example, many of their amplifiers have tone controls and big power meters, features reminiscent of topflight gear from 40 years ago—while the other foot is up to date with the latest technology...

The PD-151 MkII record player ($5695) is an excellent example.

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