Peggy Lee: Norma Deloris Egstrom from Jamestown, North Dakota (Expanded Edition); Blancmange: Private View; Weyes Blood: And In the Darkness, Hearts Aglow; Pit Pony: World to Me; Various Artists: Live Forever: A Tribute to Billy Joe Shaver
The year 1965 was turbulent, pivotal, and consequential. LBJ sent soldiers to the Dominican Republic, stepped into Vietnam with both feet, and signed laws expanding voting rights and creating Medicare and Medicaid. Antiwar protests gathered steam, Bob Dylan went electric, the Beatles played Shea Stadium, Sandy Koufax pitched a perfect game, and pioneering DJ Alan Freed died.
My tastes coalesced around rock music, particularly the harder and faster kind, by the time I was in middle school. Earlier, they were oriented toward pop: The Beatles are my first and forever musical love.
Certain albums stand as monuments because of the influence they had on contemporary and future musicians despite having little commercial success. The Velvet Underground & Nico comes to mind. So do the early Ramones albums. And then there are albums that had just as much influence but were megahitsa much rarer thing.
Ben Lamar Gay: Open Arms to Open Us, Pretenders: Pretenders and Pretenders II (40th Anniversary Deluxe Editions) and Damon Albarn: The Nearer the Fountain, More Pure the Stream Flows.
The Doors flew like a comet across the rock/pop universe, running only four and a half years and six studio albums with lead singer/poet/shaman Jim Morrison. L.A. Woman, their last album, marked a hard turn back to the rock and blues basics from whence they sprang in 1966 as a hot bar band on Sunset Strip. It is a masterpiece, a hit out of the gate that has grown in stature over time. Morrison took a sabbatical shortly before its release, decamped to Paris, and died there as this record climbed the charts.
Tattoo You is near and dear to me. It came out in August 1981, just before I entered 10th grade, the age when a person's rock'n'roll aesthetic begins to take shape. This album was formative.
I knew about the Rolling Stones mainly through the Hot Rocks compilation, from listening on radio to hits from Some Girls (which came out when I was too young and sheltered in leafy suburbia to understand the urban grit and decadence described in its lyrics), and from Emotional Rescue, which I owned, and which I thought (and still think) lacks interesting music in the grooves to match the cool cover. I figured the Stones might already be too old to rock.