Stereophile has favorably reviewed many NAD amplifiers over the decades. One of the most recent was the Master Series M10 class-D streaming integrated amplifier, which I purchased to use as my daily driver after I reviewed it in January 2020. The M10's price included a free license for Dirac Live low-frequency room equalization, which I found invaluable with my long-term reference standmounts, the KEF LS50s. So when I learned that NAD was introducing a 50th Anniversary integrated amplifier, the C 3050 LE, which also included Dirac Live, I asked for a review sample.
When I survey the realms of fancy-pants audio, the first thing I notice are cohorts of luxury-brand manufacturers selling pride of ownership with emblematic faceplates. After that, I spot another type of manufacturer, one that mocks the first type and aims its products at a younger, more working-class demographic, seducing potential customers with how much "truth" they are offering for only $15. But sometimes, when I look beyond the full-page ads and big rooms at audio shows, I discover a rogue manufacturer that is peddling a very specific type of listening experience, which they believe is the best. A listening experience only they could have created. I am grateful for manufacturers like this. They make my job more interesting, and I admire them for their courage in betting on their own taste in music reproduction.
I am relating these observations because this month I'm reviewing a digital converter from an off-the-paved-road audio manufacturer named Benjamin Zwickel. He operates a company called Mojo Audio, which is located in Albuquerque, New Mexico.
Hygge might not be the first word that comes to mind when contemplating the Primare PRE35 Prisma preamplifier, but in Limhamn, Sweden, that is how Primare likes to describe their products. It means "cozy," and it's a very important concept in the Nordic countries, almost a way of life. Another term that appears in Primare's product descriptions is lagom, which loosely translates as "not too little, not too muchjust right."
The Amtrak Empire service snakes north along the Hudson River before reaching Albany, where it pitches sharply to the west, eventually winding up in Niagara Falls. In November I rode itthe Amtrak Empire service, not Niagara Fallsfrom New York City to the town of Hudson, New York. On my left, the sun beat down on the river's expanse while an occasional sailboat flashed by. Above the water, the undulating domes of the Catskills, with their fading yellow and red streaks, looked like the work of an unsuccessful colorist at a busy hair salon.
I was traveling upstate to visit Rob Kalin, a founder and former CEO of the online craft marketplace Etsy and proprietor of a newish speaker company called A for Ara.
Within seconds after hitting play on the 2006 remaster of "The First Time Ever I Saw Your Face," played back with the dCS Vivaldi Apex DAC, what I thought would be a lovely opportunity to wax nostalgic morphed into something far deeper. The first few bars of the song grabbed us like nothing else we'd listened to over the past 10 days. Flack's complete calm, unwavering focus, and unapologetic intimacy took our breath away. The soundstage was wide, the silence profound, the presentation pristine. The beauty of Flack's voice and passion, enhanced by John Pizzarelli's guitar, Ron Carter's bass, and Ray Lucas's drums, transformed the music room into a holy sanctuary. Toward the end of the first verse, right before "To the dark and the endless skies," I rose long enough to turn off the lights. We sat together in silence, barely breathing.
Stereophile's March 2023 issue includes two follow-up reviews of high-performance digital playback products: the Benchmark DAC3 B D/A processor; and the Rotel Diamond Series DT-6000 DAC Transport (a CD player with digital inputs).
If you're reasonably handy, you can probably build your own digital-to-analog converter. It won't cost much, and if you're careful, and knowledgeable enough to understand and follow some rather technical instructions, or if you have patience enough to follow advice from a few different online discussion forumsand the judgment to distinguish the good advice from the badthen the DAC you make may end up sounding very good.
Everyone knows I'm a lucky guy. I was born in Chicago in nineteen-hundred and forty-nine, and as far as I can tell, that was the perfect year to be born. I missed the war, plague, and Depression horrors of the first half of the 20th century, and I witnessed the art, music, and cinema inventions of the second half.
The Topping DM7 DAC ($599.99) is a high-resolution, eight-channel DAC that supports PCM and DSD sources but will not handle any of the common Dolby/DTS codecs. It employs the highly capable and respected ES-9038PRO DAC chip, ESS's flagship. It has just one input, and it's USB. Its eight analog outputs are fully balanced, but they are TRS (tip-ring-sleeve) phone jacks, which are more widely used in pro audio; most audiophiles will require adapters.
Whenever I install a new, in-for-review DAC, after some amount of spaced-out not-listening listening I find myself just sitting there, being happy I got the damn thing working. Once I recover from the stress of installation, my brain begins, without prompting, to examine the character of sound coming out of my speakers.
My late father-in-law used to say that life is like a roll of toilet paper. The closer you get to the end, the quicker it passes. I was reminded of that when I was asked to review Bel Canto's new e1X DAC/Control Preamplifier ($6800). It didn't seem that long ago that I favorably reviewed the Minnesota company's e.One DAC3, but Google told me that it was 15 years ago! "Other than the jitter performance via its USB input, the Bel Canto e.One DAC3 is the best-measuring digital component I have encountered," I wrote in November 2007 (footnote 1), adding that it "offers some impressive audio engineering in both the digital and analog domains."
The text, from Gary Bruestle, a speaker-positioning wizard at Definitive Audio in Seattle, left my mouth watering: "Have you heard the Apex version of a Rossini or Vivaldi yet? It's stunningly good. Addictive, even. ... I usually have a hard time relaxing and listening to music in the showroom, but the Rossini Apex DAC had me in its thrall for a few hours yesterday."
My little corner of Brooklyn happens to have a terrific little record shop. I like it for the usual reasons: well-chosen merchandise, fair prices, fun music on the speakers while you browse. But I like it just as much because great record stores tend to resemble one another in more idiosyncratic ways, and this one has the earmarks of the great record stores of my youth.
Characteristically, the email from Kal Rubinson got straight to the point: "I have a WiiM Mini that I have played with, but I am not the right one to review this as I am not sufficiently interested in or knowledgeable about wireless streaming. It ... can handle uncompressed PCM via its DACs." "I'll review it," I replied, intrigued by a $99 D/A processor that can stream hi-rez audio via Wi-Fi and that also has an analog input so it can act as a preamplifier.